Movie Review: We can think of a lot of Hollywood stars who have frantically paced the screen in search of their stolen identity, primary amongst them being Harrison Ford (Frantic) and Matt Damon (Bourne Identity). His only help in this intricate web of intrigue is the Bosnian taxi driver (Diane Kruger) who tries her best to clear the mess. His wife refuses to recognize him and showcases another Dr Harris (Aidan Quinn) as her husband and the German cops begin to close in on him. En route, he gets involved in an accident which not only almost robs him of his life, but steals his identity too. He forgets his briefcase in the airport taxi and goes back to retrieve it, while his wife (January Jones) checks in at the hotel.

It’s those family dynamics that ground Hereditary and make it more than just a scare-fest - even if the parts you remember most are the disturbing ones.Story: Liam Neeson is Dr Martin Harris, a high-profile scientist who is on his way to address a path breaking biotechnology conference in Berlin. “He just really understood the dynamics in the family, has such an understanding of what it is to be human, what it is to experience loss,” Colette told The Verge in 2018. The actress might have excelled at shrieking like a monster and sawing her own head off (yes, that happens in the movie), but what drew her to the film was its more relatable elements. By the end of the movie, Annie is fully possessed, leading to an incredible, bone-chilling performance from Colette that, in a better world, would have won her all the movie awards that year. Turns out, grandma isn’t as dead as she seems and was actually part of a cult that worshipped a demon called Paimon. Once again, the family tries to grieve, but Ari Aster has other ideas. The movie starts at grandma’s funeral, but it really kicks into high gear when a series of unfortunate events ultimately lead to Charlie getting decapitated in a freak accident. Hereditary stars Toni Colette as Annie Graham (a mother of two and a successful artist who specializes in dollhouse-sized replicas of houses and homes) but the true scene stealer is Milly Shapiro as Charlie Graham (a troubled young girl who treats bird corpses like toys).

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